Loneshore's 'Nothing Left to Deconstruct' is a post-metal album that showcases the band's evolution and experimentation. The album's sound is a blend of post-metal, post-rock, and progressive metal, with a touch of Amenra's influence. The band's musical journey is akin to the diverse landscapes of Rio de Janeiro, where mountains and beaches coexist with favelas and wealth. This diversity is reflected in the album's structure and style.
The album's opening track, 'Self Oscillations', sets the tone with dreamy vocal harmonies and a gentle flow, leading into the more dynamic 'Straylight'. The band's use of multiple guitarists and a bassist creates a rich, layered sound, as heard in 'Parhelion' and 'Of Lost Waters'. The 10-minute centerpiece, 'Birth of a Mountain', showcases a laid-back melody that rises and falls like a sea of sand dunes, while also incorporating blackened snarls and forceful riffs.
However, the album's length and structure could be improved. Many songs hover around the 8-minute mark, with lengthy outros that don't add much value. The concluding track, 'With Nothing We Part', is particularly languid and forgettable, despite a momentary injection of vitality. The album's total runtime of 52 minutes could be reduced to create a more focused and impactful listening experience.
Despite these minor shortcomings, 'Nothing Left to Deconstruct' is a solid album that showcases Loneshore's growth and experimentation. The band's ability to blend different genres and styles creates a unique and captivating sound. If Loneshore continues to develop in this manner, I anticipate great things from their future releases.
